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Comparative Survey, Descriptive Research

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  Comparative survey research is a type of descriptive survey where it aims to compare the status of two or more variable, institutions, strategies etc. This technique often uses multiple disciplines in one study.This does not only compare different groups but also same group over time.Few points are to be kept in mind before starting the comparative survey. ·        Comparison Points -The research should be very clear regarding the points to be compared. This can also be identified through review of literature and experience of experts. ·        Assumption of Similarities -  One has to be clear about the similarities the two variable hold. If the researcher do not find this there is no point of comparison. Criteria of Comparison - The researcher has to identify the criteria of comparison keeping in mind the fairness and objectivity. Appropriate tools has to be identified for measurement of criterion variables. Comparative survey research is carried on when the researcher cannot
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Explain Baroque Style

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The word ‘baroque’ has been derived from Spanish and Portuguese name for a pearl that is rough and irregular in shape. The literal meaning of baroque is anything extravagantly monumental. It was a term of abuse for 16th-17th century art of Italy, next Germany and then of other countries. Initially this was a term of disapprobation but with the passage of time the derogatory meaning is lost. This term is also applied to literature. It has assumed the signification of any elaborately formal and magniloquent style in verse or prose.

The ‘baroque style’ gave the writers a habit of seeing the universe as a metaphor and its objects as symbols. The poems of Donne especially some of his divine poems in which he contemplates the apocalyptic vision are labelled as baroques. This term also suggests the religious emotionalism of poets like Crashaw. In the continental context the term ‘baroque’ refers to the crisis of sensibility in the late Renaissance.

The Renaissance in initial years generates remarkable self-confidence and buoyancy of spirit. The pagan world that comes into being with the Renaissance clashes with medieval ethic, and there ensures a war between body and soul. So long as the balance of the two is there, the picture is ordered and coherent. But the loss of balance results into pessimism, chaos and violence. The scenario is perceptible in the Jacobean drama and the Metaphysical poetry, more conspicuous in the former than in the latter. The baroque thus helps the poet to present and surmount the chaotic state prevailing in the continent. Some poets who want to come to grips with the conflict between the body and the spirit harness their senses in the service of God.

The baroque sensibility works in two different ways. In most of the continental poets, the picture is macabre and the dance of death is horrifying. The taste for the macabre is perceptible in the French drama as well. Poems of Gongara, Theophile and Marino replace the living world by a series of resemblances. The recurrent motifs are tears, wounds, flaming hearts, the turtle love, the phoenix, the grave and the nest. On the other hand some of the baroque conjure up a rich sensuous world. In the poetry of Crashaw, it works in terms of rich sensuous images in adoration of the divine. Drops of blood become rubies and tears become pearls in his poetry. The experience of suffering undergoes a glittering metamorphosis and the end product is the emergence of a world of tenderness and joy.  

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