Christy Mohan Theme
John Millington Synge
(1871-1909) was a born poet and dramatist. It was in 1898 he came to Aran
Islands on the advice of Yeats. His plays deal with the life and living of the
people of these islands. Daniel Corkery an eminent critic remarks,
His ideas of literature were an
imaginative treatment of the profound and common interest of life so that
exaltation might result.
J.M.Synge
wrote several plays like The Aran Islands, The Tinkers Wedding, Riders to
the Sea, The Playboy of the Western World, In the Shadow of the Glen
etc. The Playboy of the Western World, a highly controversial
play exposed the middle-class audience to a different portrayal of Irish
countryside life as opposed to the traditional idyllic image they were
accustomed to. Synge strongly employs the element of satire in his play to
inject humour, creating a light-hearted tragic-comedy as the play’s lack of
morals would have offended the audience. At a first glance Playboy seems wholly
of its time set in rural Ireland under English rule. But in fact its theme of
authority and rebellion, self-invention and the power of language, fantasy and
reality are timeless.
When
Christy boasts of killing his father, the locals are thrilled and admiring, not
because they are full of bloodthirsty dreams, but because in their drab and
oppressed lives, Christy’s tale represents an attack on authority; a way of
changing the world through a single decisive act. This sinful act in the play
is presented as a metaphor of emancipation and achievement. It is treated with
comic irony. Here, this act is treated as a necessary step to Christy’s
maturity and his assumption of manhood. Yeats gave his opinion about the play
as:
It is the strangest; the most
beautiful expression in drama of the Irish fantasy with overflowing thought of
all Irish literature that has come out of Ireland itself is the unbroken
character of the Irish genius.
The
Playboy is also about the role playing which is what Christy does in living his
big life. He is a boaster, coward, making people fool with boastful talks. He
is a man of words rather than deeds. But at the end he becomes a man of deeds.
For Christy, role playing is at first essential to his survival and later it
becomes a means to self-discovery. For us, today, Christy would appear to be a
literary device through which the writer confronts us with certain features of
the Irish society of the time when the drama was written- the bad law and order
situation, boastfulness, braggertness, immortality, dishonesty and so on. In
another sense, Christy captures the unfolding historical contradictions of
Ireland, a literary happening that takes us closer to the reality of that time.
The
controversy over the play is long over and is now a permanent part of
repertoire of the Abbey Theatre, but the issue of freedom of thought and
expression it raises is alive. Words when spoken by the character on the stage
increase a number of times in power than those of the written ones. The play or
a book considered objectionable by a certain section of people must not be
banned. The present age is an age of permissiveness and many themes considered
objectionable earlier are now routinely presented, which a section of society
accepts and other protest. Also the words have different meanings at different
times. When the villagers call Christy, ‘The Playboy of the Western World’ they
were championing him for his bravery for killing his father. However, he is later
disgraced in the play, when the characters realise they have been deceived.. In
the present times this wouldn’t fit the current definition of the playboy. What
Christy becomes in the middle of the play, however does fulfil the definition.
He has ladies after him and devotes all his time to leisure and pleasure. This
off course changes towards the end of the play; Christy leaves Pegeen for his
adventures. Christy is off to live a life of excitement, while Pegeen is doomed
to a fate of marrying Shawn and a dull life in County Mayo. The difference in
their fates reinforces the play’s status as a tragicomedy.
Hence,
The Playboy of the Western World is a play where the mask
literally creates or re-creates the man as we find today. The play brings the
sub-conscious desire to the surface and treats the dread subject of patricide
in a light-hearted manner. The play brings forth the image which we both dread
and wish at the same time.
Well written
ReplyDeleteWonderful.... thanks a lot
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