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Comparative Survey, Descriptive Research

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  Comparative survey research is a type of descriptive survey where it aims to compare the status of two or more variable, institutions, strategies etc. This technique often uses multiple disciplines in one study.This does not only compare different groups but also same group over time.Few points are to be kept in mind before starting the comparative survey. ·        Comparison Points -The research should be very clear regarding the points to be compared. This can also be identified through review of literature and experience of experts. ·        Assumption of Similarities -  One has to be clear about the similarities the two variable hold. If the researcher do not find this there is no point of comparison. Criteria of Comparison - The researcher has to identify the criteria of comparison keeping in mind the fairness and objectivity. Appropriate tools has to be identified for measurement of criterion variables. Comparative survey research is carried on when the researcher cannot
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Define Dissociation of Sensibility

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Objective Correlative
Dissociation of Sensibility- a phrase coined by T.S.Eliot in an essay entitled The Metaphysical Poets (1921) to describe,

Something that happened to the mind of England between the time of Donne or Lord Herbert of Cherbury and the time of Tennyson and Browning; it is the difference between the intellectual poet and the reflective poet. Tennyson and Browning are poets and they think, but they do not feel their thought as immediately as the odour of a rose. A thought to Donne was an experience, it modifies his sensibility.  

According to Eliot, 
In the seventeenth century a dissociation of sensibility set in from which we have never recovered.   

The term ‘dissociation of sensibility’ stands generally for the separation of feeling from thinking, intellect from passion. This takes place specially when one feature or quality in a poem is emphasised and refined at the cost of the other or in other words when only one aspect of sensibility is exercised and the other aspect is completely neglected. It also points to the imbalance between the refinement of language and the degree of feeling; fancy and the matter of fact; the auditory and the visual. He suggests that by an increasing refinement of language accompanied by an increasing crudity of feeling, thought gets separated from feeling.

In the essay, Eliot begins by pointing out that it is extremely difficult to define metaphysical poetry. There are marked individual differences among the poets of the period. One of the devices characteristic among them is dissociation of sensibility. His essay played an important role in rehabilitating the Metaphysical poets. Many contemporary critics agreed with his theory of ‘dissociation of sensibility’. Cleanth Brook suggested that Hobbes was responsible for this dissociation, while L.C.Knights suggests that we should go further back in time, it is there in Bacon.

According to Frank Kermode, we find dissociation however far back; he doubts whether such a split ever occurred. He expresses his objection to Eliot’s theory in a very persuasive manner in his essay Dissociation of Sensibility: Modern Symbolist Readings of Literary History.  A golden age of unified sensibility never existed. Nostalgia for the golden past is found in all literatures. Eliot suggests that this dissociation happened around the time of English Civil War. But Kermode finds that,

However far back one goes, one seems to find the symptoms of  dissociation- there is little historical propriety in treating it as a seventeenth century event.   ‘

Moreover, Kermode feels that this theory was invented only to give weight to the imagist theory of aesthetics. In spite of these criticisms Eliot’s theory dissociation of sensibility is undoubtedly one of the most significant contributions to critical analysis.

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