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Significance of the Last Act of The Cocktail Party
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The Cocktail Party as Revival of Poetic Drama
Growth and Status of English Language in India
The Cocktail Party,
a poetic drama by T.S.Eliot is divided into Acts and Scenes quiet contrary to
his usual practice of dividing a play into two parts. The plot is made up of
two actions. The main plot consists of Edward-Lavinia story. It may also be
called as ‘Domestic Comedy’ for it deals with the private married life of the
Chamberlaynes and shows how they succeed in working out a tolerable adjustment.
The sub-plot consists of Celia’s martyrdom. The main plot is light and comic,
while the sub-plot is serious and tragic. Sir Henry Harcourt Reilly is the
connecting link between the two stories.
The last Act is an
integral part of the play. It shows the Chamberlaynes living the ordinary life
of give and take, which is their choice. Celia and the Chamberlaynes have chosen
different ways, but Act III shows that their choices are ‘different parts of a
simple pattern’. It is in this Act that we are shown the repercussions of Celia’s
choice on the lives of others.
The second cocktail party may be taken to
symbolise the Chamberlaynes acceptance of common everyday life, as well as of
their past and of their memories. They have passed through a process of
self-realisation and hence, they are more considerate to each other. Their
approach to married life is now more realistic. They now approach each other as
well as their guests, “with calm of mind, all passion spent”. They
realised that “every moment is a fresh beginning” and they have become
different persons from what they were at the time of first party. They are
reconciled to the common routine and have learned to avoid excessive
expectation.
Meanwhile, Celia also
leads to self-exploration and self-examination. She realises that she had been
remaking Edward all the time according to her own dreams. In reality, he was
different. Celia realises that she has always been alone and feels sense of sin
within. Therefore, she chooses the way of saint, the way of martyrdom. And her
martyrdom is not in vain; it fertilizes the lives of their various characters
in the main plot. It makes a difference to them.
Therefore, the last Act
is of great significance. It is necessary to round off the play and reveal the
full significance of the two choices. In the words of F.O. Matthlessen,
The movements in the
play have crossed: Edward and Lavinia have found their way to humanity; Celia
has found her way to divinity.
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